Has it really been a year since we did this? At this point 2021 is mercilessly ticking towards its end, and there is a new pile of music box sets to look at. Some of them are downright amazing, others are more what we’d expect, but they’re all fascinating.
With the pandemic continuing to impact shows and live activities, last year was yet another very busy year for box sets. If anything, the trend has strengthened from 2020 (which also was busy), as artists are no longer delaying releases. A lot of the ones released in 2021 were in fact delayed from the previous year.
There is a clear trend towards releasing pricier and more ‘upmarket’ box sets than before. Some of them are represented in the list here. These box sets often have a high “bling” factor, but they still need to offer decent value for money. At the end of the day, musical content is what’s most important and the sets should never lose sight of that.
I really am quite pleased with the quality of the boxes that are released these days, with this being the first year in a while where I feel I didn’t purchase a dud set. The quality (and quantity) of content is usually quite consistent and good. The two top ranked boxes aside, most of the others honestly ranks very close and the order might mean less than in previous years. I see this as a good sign. These are all good in different ways.
For the first time, I had to limit myself. I may never have picked up more box sets than in 2021 and I could easily have gone into detail for all of them. In the end I settled for doing a top 10.
These are the sets I enjoyed the most that were released in 2021:
1) Metallica – Metallica (The Black Album) Remastered Deluxe Box Set
They wrote Master of Puppets, but more than anything, Metallica have proven that they are the Masters of Box Sets. They started reissuing their albums in a deluxe box set format several years ago, and in 2021 they finally arrived at the self-titled Metallica (a.k.a. The Black Album).
While the band’s concept is well-established at this stage and we know what to expect from these boxes, I still can’t help but be blown away. There’s nobody on this planet that are even close to matching what Metallica have been doing with their deluxe series of album reissues.
The mere thought of recapping everything in this box is daunting, but in the briefest possible way: the album is remastered and included on 180-gram double LP and CD. There are three live LPs, the Sad But True picture disc, 6 DVDs (featuring music videos, plenty of shows and live footage, behind the scenes, and anything you might imagine), and 14 CD (demos, collections of riffs and ideas that each member brought into the sessions to work on, in-progress versions, rough mixes, alternate versions, and shows & live material). Getting through it all is a mind-boggling task.
Then there’s the physical content. The main attraction is a lovely 120-page coffee-table hardbound book with essays (including a great piece written by Jason Newstead, who I was very pleased to learn has been quite involved in the creation of this box), a multitude of photos, and stories about the songs and the album’s creation. There’s a bunch of tour laminates, lanyard, lithographies of magazine cover prints, guitar picks, a lyric folder with reproduced lyric sheets for every song, and a download card – all contained in a hinged box with magnetic flap, with spot UV glosses of the snake on the black and of the band name on the side. It looks gorgeous. In sum, I’m not sure that any one album has ever had more material and “extras” attached to it before.
Metallica are obviously in a special position financially and popularity-wise that makes them able to put out a box set like this. Most other bands would not find it financially viable or not have the sales to justify something as luxurious as this. It’s nice to see Metallica push the envelope as far as they can given their capabilities, as they could easily have gotten away with less. No matter their resources, creating something like this still takes time and effort to do.
2) Yes – Union Live Ltd. Ed. Super Deluxe Flight Case – 30 Year Anniversary Edition
Being a huge fan of Yes, I could not believe my eyes when I read the announcement for this box set. But before I get into that, first some background.
2021 is the 30th anniversary of the Union tour which combined the two factions of the band that existed at the time: the AWBH project (Jon Anderson, Rick Wakeman, Bill Bruford, and Steve Howe) and the remainder of the 1980s-based Yes line-up (Chris Squire, Trevor Rabin, Tony Kaye, and Alan White). Merging the two camps could have turned into a train wreck, but it turned out to work surprisingly well. Rick Wakeman has gone on record saying that he isn’t a fan of the Union album because of the record company politics surrounding it, but he has repeatedly stated that the Union tour is one of the best things he’s been involved with, even going as far as calling it the most important event in Yes history.
Now people can make up their own minds, even if they weren’t there. This box set is Super Deluxe Edition in every sense of the word, containing 30 discs (26 CDs, 4 DVDs) with recordings from the tour. One of the DVDs is the jewel in the crown: superbly pro-shot footage with the soundtrack newly mixed by Trevor Rabin. (This mix is also included on CD.)
The recordings come from a mixture of sources. Some are fan recordings (some of them good, some… less so), some are soundboard tapes, others were radio broadcasts. The label say this is “a way for the band to combat this highly bootlegged tour, where some fans are paying in excess of $70 per show from various Japanese websites”.
The packaging is particularly a sight to behold. The set comes in a bespoke heavy-duty flight case, each of them handmade and sprayed individually. While it looks incredible, I also appreciate the compact design, as space is a genuine and continual issue for those of us who like boxed sets.
The boxes also include a numbered certificate of authenticity, the Union tour program, AAA laminates, guest passes, cloth badges, 10 band photos, and posters.
A fair bit of material will unavoidably be repeated across these shows, and you’ll most likely be ready to take a break from some of the tracks if you listen through the entire set in one fell swoop. There is some diversity to be found as no two shows are fully alike, even with the odd unique song creeping in here and there, but this is not for the casual fan.
3) John Lennon – Plastic Ono Band Ultimate Mix Deluxe
The reissue series of Lennon’s solo albums continues, this time with his very first solo album. As with the Imagine reissue in 2018 and the Gimme Some Truth anthology in 2020, the audio for this reissue of Plastic Ono Band has been completely remixed from the original multi-track tapes, led by Grammy-winning engineer Paul Hicks (the son of The Hollies’ guitar player Tony Hicks). Hicks has also been heavily involved in preserving the recordings of The Beatles alongside Giles Martin, and is incidentally also a member of Dhani Harrison’s band.
Amazingly, the set includes 159 new mixes of this 11-track album (reflect on that number – 159!), including versions of non-album tracks Give Peace A Chance, Instant Karma and Cold Turkey. This adds up to more than 11 hours of audio. The six CDs cover 102 of these mixes (which are also found on the Blu-ray discs along with the remaining number) and offers more than six hours of audio.
To say the album has never sounded better is an understatement. The new mixes are brilliant, revealing things in the recordings that were barely audible earlier. The available mixes are broken into different categories. Ultimate Mixes are the most faithful to the originals but are generally “sonically clearer” and also focus on increasing the clarity of John’s vocals. Outtakes are presented in the style of a ‘rough listening mix’ and Elements mixes are designed to bring out aspects previously buried in a mix. Evolution Documentary mixes are audio montages that takes you through the development of each song from demo to master recording via “instructions, rehearsals, recordings, multitrack exploration and studio chatter,” and these make for highly intriguing listening. It’s never been easier to follow a song from the early stages of creation to completion.
Does this sound like a lot? It is. I repeat: there’s 11 hours of audio on this box set. This enables the set to cover a lot of ground, giving us a very thorough representation of these sessions.
As if that wasn’t enough (and when is it?), there’s demos – both home and studio – plus jams, some of which take in old rock‘n’roll numbers once covered by The Beatles (Honey Don’t, Matchbox) and even a couple of Fab songs themselves in Get Back and I’ve Got A Feeling. The Blu-ray audio adds some lengthy Yoko live sessions.
The album is presented in 5.1 surround sound on one of the Blu-rays, but the release even goes a step further than Imagine and offers the audio in Dolby Atmos. Hi-res 192/24 stereo is also available. This box set sets new standards in offering the audio in various HD formats.
This new eight-disc deluxe edition of Plastic Ono Band comes with a 132-page hardcover book with very detailed notes and photos. It has the same dimensions as both the Imagine and Gimme Some Truth deluxe editions – thankfully!
After such a treasure trove of music in different versions and mixes, and all the info in the painstakingly detailed book, you can forgive that this set is lighter on the memorabilia front. Even so, it does also contain the classic ‘War Is Over!’ poster and two post cards.
4) KISS – Destroyer 45th Anniversary Super Deluxe Box Set
A nostalgic pick? Sure, I’ll admit that. But it’s also a much cooler set than I thought it would be.
This set’s announcement came a bit unexpected. 45 is not the most common number of years to celebrate, after all, but make no mistake about it: news of this box set was warmly received by the KISS Army. Fans of this band have not been spoilt with these kind of album box sets from their idols before.
In addition to a freshly remastered version of the main album, one disc is labelled “Destroyer-era demos” (15 in total – 5 from Paul Stanley, 10 from Gene Simmons). A further 22-track disc has the rather convoluted label “DESTROYER Outtakes/Alternate Versions/Mixes & Singles” but it is a very accurate description of the contents. A final CD contains a live recording from the band’s first ever European tour – more specifically from L’Olympia in Paris on 22 May 1976.
Of the 73 tracks on here, 48 of them are previously unreleased. A lot of them have been in circulation amongst fans, but they have done a decent job of getting good versions of the demos and outtakes on offer, a lot of them seeming like upgrades on what is commonly available. It is also nice to see them trying to empty their closets and desk drawers for this one – including stereo/mono variant versions, instrumental versions, and radio edits.
Amazingly, they even managed to get Prog wünderkid Steven Wilson to do a surround mix of the album on Blu-ray. This was nothing less than a jaw-dropping surprise when I first heard about it. Wilson? And KISS? Wow. If you have the set-up to enjoy those type of mixes, that may go a very long way towards making this a necessary purchase. The car crash effects on Detroit Rock City has never sounded more incredible (or even scary). Likewise for the demonic kid voices on God of Thunder.
The box contains a lot of interesting memorabilia. Special mention needs to go to the 68-page hardcover book which contains the story of the album, with new interviews by Gene Simmons, Paul Stanley, Ace Frehley, Bob Ezrin (album producer), Corky Stasiac (engineer), Carol Ross (PR), and several others, as well as vintage interviews from Peter Criss and others. It also has a good essay by Paul Elliott on the band’s first European tour in 1976 which will be interesting to anyone, but particularly welcomed by fans in this region.
Otherwise? KISS are known for their merchandise, and this is what pushes the box set over the top. There is a replica of the original 1976 KISS Army welcome kit, reprinted tour programs, 4 large band glossy photos and 2 B&W, several stickers and posters, flyers, 2 stage blueprints, trading cards, iron-on logos, and a “track by track” newspaper. All neatly collected in various folders and envelopes. Frankly this all sounded like fluff to me when I first saw the list, but when I held the box in my own two hands and started looking through this, it was incredible. It made me feel like I was 10 again, which is the true value of something like this – to once again be the kid who holds his new copy of Destroyer in his trembling hands again, staring at the cover and looking through the welcome package to the KISS Army, dreaming of a time when he’d be old enough to be allowed to rock and roll all night.
5) The Who – The Who Sell Out Super Deluxe Box Set
The Who have been reissuing their albums over the course of quite a few years, with random gaps between each one. 2021 saw them release a deluxe set of The Who Sell Out from 1967. This is the band’s third album, and it has never been bigger: the set contains 5 CDs and two vinyl 7’’ singles. This totals 112 tracks, and fans were the most excited about the prospect of unheard demos & studio sessions.
The two first discs features the original mono and stereo mixes respectively, with mono and stereo bonuses as appropriate. This completes all official studio material released during this period. Outtakes and early versions of these tracks follow on the third disc along with studio chat and shenanigans.
The fourth disc was unexpected. It is titled The Road To Tommy and contains stereo mixes of tracks recorded in 1968 – after Sell Out was released, but before Tommy was properly started. This could just as well have fit on a Tommy box set, but that was released way back in 2013 and they are likely not revisiting that one yet, so this is a good solution.
The final disc contains Pete Townshend’s original demos for the Sell Out sessions, never released elsewhere. Townshend’s demos are always interesting, always of good sound quality, and full of interesting twists and turns which point a certain direction which may or may not have ended up differently when the band tackled it. These demos inevitably lack the explosive power of The Who, but they contain an artful approach and reveal more of the intelligence behind them.
The two 7″ vinyl singles are reproductions of the 1967 releases for I Can See For Miles/Someone’s Coming (originally a Track Records UK release), and Magic Bus/Dr. Jekyll And Mr. Hyde (originally a Decca USA release). They sound (and look!) great to me.
All these discs come packaged in an 80-page hardcover book which features all the usual photos/memorabilia etc. It contains a track-by-track annotation, new sleeve notes by Pete Townshend (and comments from several others), photos, and the story of the making of the album. The book slots into an outer slipcase which features the classic cover art. It looks really exquisite.
There’s also room for a lot of merchandise, including as many as nine (!) posters (original band art posters + gig posters) and various replicas (Saville Theatre 8-page programme, business card for the Bog o’ Nails club, Fan Club photo, concert flyers, bumper stickers, Keith Moon’s Speakeasy Club membership card, and a Who Fan Club newsletter). Immersion achieved!
6) Rick Wakeman – Return To the Centre of the Earth Deluxe Box Set
This is Rick Wakeman’s second representation so far in this overview – this time in his own name.
The Yes keyboardist originally released Return To the Centre of the Earth in 1999. It was devised as a loose follow-up to Journey To the Centre of the Earth (1974) which reached #1 in the UK and #3 in the US. This time, Wakeman wrote the story himself and set out to create something of immense scope. The result was to become my favourite album of his, possibly until he released Red Planet in 2020.
Part story and part musical passages, the album was narrated by Patrick Stewart with vocal performances from Ozzy Osbourne, Bonnie Tyler, Tony Mitchell, Trevor Rabin, Justin Hayward, and Katrina Leskanich. It should not be forgotten that the London Symphony Orchestra and English Chamber Choir also added a whole extra dimension to the result.
Wakeman has always been immensely proud of this album, as he should. Putting it back in print, and creating this deluxe box set in the process, has been a long-standing ambition as well as a labour of love.
The musical contents of the box set includes the remastered album on CD, a live double CD from the Canadian performance of the piece (one of only two performances at the time), and a CD containing radio edits from the album. A DVD contains a surround mix and enhanced stereo versions of the album, as well as 80 minutes of footage from the studio, the album launch, recording the narration, and interviews with involved people.
At the time, a website was launched which utilized new (for its time) web technology to present an interactive experience where people could try to reach the centre of the earth themselves, exploring and finding content along the way. This webpage is long gone, but its creator Wayne Smith takes us through his offline copy, showing us all its mysteries and paths leading to interesting content.
The memorabilia section is nothing less than a treasure trove. Every box comes with a signed and numbered certificate, reproductions of the full press pack (including complete write-ups on the concept, the guests, and everything about the release – this alone is a lot to dig into!), reproduction press photo, reproduction ticket to the album launch, and two A3 posters.
You can get the box with or without a vinyl record. This decision will not impact how the box looks or which of the other contents you get – the only difference is whether the vinyl comes with it or not, which is a very fan-friendly approach. Personally I could not resist the 180 gram double vinyl album, presented in gatefold with beautiful Roger Dean artwork, but if you want to pass on that, you can without fear of losing out on other things.
7) The Beatles – Let It Be Special Edition Super Deluxe Box Set
Originally intended for a 50th Anniversary release in 2020, it now shows up one year later simply as Let It Be: 6-disc edition. The more modest name aside, the delay at least allows the set to tie in with the Peter Jackson edit of the Let It Be movie, which turned into a three-part TV documentary of 8 hours total. The box makes a lot of sense as a companion piece to those sessions, or vice versa.
The box set follows the format of the previous Beatle boxes, and continues its tradition of having a different size than its predecessor. The Sgt. Pepper box was LP-sized, whereas the White Album one was shaped like a large book. Abbey Road saw it go back to an LP-sized box, whereas Let It Be is back to large book format (this one being the same format as Paul McCartney’s album box sets, which satisfyingly has managed to be the same size across all 13 issued so far).
There are two ways of evaluating this box set. One is to look at what’s actually included and rate it based on that, while the other is to look at it in terms of everything that could have been included. The Let It Be sessions were fully recorded for documentary purposes, both on audio and video, so this could easily have been a monster of a box set. There is a LOT of material available. A little bird told me that they would fill 64 packed CDs.
From the latter point of view, this set really is just crumbs from the table of plenty. If anyone hoped for more material from the sessions, this box set probably represents a huge let-down.
The box set was never going to be that, though. None of the Beatles’ boxed sets have ever been close to clearing the vaults. Not that I’d ever expect them to on this type of release, but I do wish more of them had been just a bit closer to it when it’s so well documented what this COULD have been. But is it fair to judge it like that?
It’s so easy to start fantasizing how a Let It Be box could have been organized. This album was recorded over time and at different locations, and one approach could be compiling CDs with samples from various locations – one from the Twickenham sessions, one (or two – no, three!) for the various Apple sessions, one for the Rooftop concert, then the final Apple Studio Performances… there are several obvious ways it could be organized. Alternatively, they could have focused on one song at a time, following it from early sessions towards final takes – similar to how John Lennon’s Plastic Ono Band deluxe set from earlier this year did it.
What’s actually here is very neatly presented. CD1 gives us a brand new mix – as opposed to just a remaster – of the original album, courtesy of Giles Martin. This is as always highly interesting, giving a new perspective to an album we know well. CD2 contains highlights from the Apple sessions, with CD3 being more of the same, often in less developed form, being referred to as “Rehearsals and Apple Jams”. CD4 is Glyn Johns’ discarded album mix candidate from May 1969 (a full year before the final version appeared). CD5 is the 5-track Let It Be EP, with the final disc offering the album in Blu-ray audio.
These discs are all well presented, but as always with The Beatles’ box sets, the accompanying hardbound book is a huge part of the attraction. It’s over a hundred pages with photos, essays about the making of the album from those who were there, song-by-song breakdowns, a detailed chapter about the rooftop performance… it really is top notch. The books is lovingly put together, very informative, and highly enjoyable.
Speaking of the rooftop concert… I’m frankly surprised that it didn’t get its own disc here. While far less rare than most of the things they could have put on here, this is so iconic that it needs to be available somewhere officially, and this set would be the natural place to put it. They may or may not have plans to do something with it separately. If not, this is nothing less than a huge missed opportunity and a shame.
Top marks for the actual content, but the fact that there’s far less of it than there could be, and less extras than most other sets of similar stature, means it carries with it a slight aftertaste of discontent. Pretty much like the original sessions.
8) Crosby, Stills, Nash & Young – Déjà Vu (50th Anniversary Deluxe Edition)
Crosby, Stills, Nash & Young’s immensely popular second album, Déjà Vu, was released in 1970. 51 years later, we have the 50th Anniversary Edition. We could blame Covid-19 for the delay, but given the band we’re talking about, challenges in the behind-the-scenes cooperation cannot be dismissed either.
The results are good, though. The album appears as a 4CD/1LP set, including a freshly remastered version of the album on CD and LP. The three remaining CDs are designated for rare and mostly unreleased material.
One is labelled Demos, collecting 18 tracks of mostly individual recordings from everyone but Young (who withdrew his potential contributions somewhere along the process – it’s never been easy with these guys, has it?). There are some real gems here, like Our House performed by Graham Nash and Joni Mitchell on the day it was written.
The next disc is Outtakes, which consist of 11 songs recorded by the lads during the album sessions but not included on the album. The final disc is named Alternates, containing 9 tracks from the album in either early or different versions than the ones we know.
The set also contains a 20-page LP-sized inlay containing the story of the album and pictures from the sessions and tours. While this is a far cry from the lavish hardbound coffee-table books found in most other sets in the list, which are also usually quite a bit longer, the set’s strength is the goldmine of extra material from the sessions and the high quality of said material. The set is also fairly inexpensive, yet well-made, meaning that the set is good value for money.
The box set is also available as a 5LP set with the same content and booklet. Expect to pay a bit more for that.
9) Motörhead – No Sleep ‘Til Hammersmith (40th Anniversary Deluxe Box Set)
It seems incredible now, but Motörhead’s seminal live album went all the way to number one in the UK charts when it was released in June 1981. It was their first and only number one record, and is regarded as one of the most classic live albums of all time.
The album is certainly important for capturing the spirit of a special time in the UK music scene, when loud rock’n’roll was rising in prominence and becoming a force to be reckoned with. The New Wave of British Heavy Metal was also developing at the time, with young upstarts Iron Maiden, Def Leppard, Saxon, Diamond Head, Girlschool, and Angel Witch working hard to get a foothold. Two years later, a metal album would go to #1 in the US for the first time. Motörhead captured that early spirit of storming the barricades better than anyone on No Sleep ‘Til Hammersmith.
2021 marks the 40th anniversary for the album, and with previous albums getting their 40th anniversary sets over the last few years, it was fair to expect this one to be represented as well. Whereas the prior studio albums were reissued in lavish box sets containing a multitude of contents on both LP and CD, including merchandise and souvenirs, the Hammersmith release has been split between formats. It is available on both LP and CD, but separately, giving people a chance to pick up their preferred media.
The CD box is also more compact (and economical) than the last few boxes. The box contains a hardbound book-pack containing four CDs – the original album plus the complete three shows which formed the basis of the original album: Leeds Queens Hall (28 March 1981), and Newcastle City Hall (29+30 March 1981).
But… no shows from the legendary Hammersmith Odeon? That’s right, and this is one of the big misconceptions about the album. The name No Sleep ‘Til Hammersmith came from an inscription painted on one of the trucks, referencing the 32 gigs they were playing with only two days off. It became the mantra for the tour for crew and band alike. Although it wasn’t thought of as a name for the resulting live album until much later, it became a very fitting summarization of those times – even though it has caused misunderstandings about where the show was recorded.
The recordings have been remastered from the original master tapes. The discs include bonus tracks in the form of newly unearthed recordings from sound checks. The book pack obviously also contains a book, which tells the full story of the tour and resulting album across 30 pages. This includes new/unpublished interviews with the people who were on the road at the time.
There’s also room for a few items of memorabilia – double-sided A3 concert posters from 1981, tour passes, plectrums, a tour badge, reproduction Newcastle City Hall ticket, and a Port Vale gig flyer post card. Not bad for such a compact box, which scores highly for being a bit of a time capsule at an affordable price.
10) The Rolling Stones – Tattoo You 40th Anniversary Remastered Super Deluxe Box Set
There seems to be no rhyme nor reason to which Stones album will be given the Deluxe Set treatment next. Three years ago, it was Some Girls (1978). Two years ago, it was Let It Bleed (1969). Last year, it was Goat’s Head Soup (1973). This year, it is Tattoo You (1981).
The order really doesn’t matter – it’s pretty much a case of “here’s a new Stones deluxe set for y’all – it’s got some cool music on it that fell out of my drawer last week, hope you’ll enjoy it, heh heh heh!” Read in Keith Richards’ voice, naturally.
If you picked up last year’s Goat’s Head Soup set, that’s a pretty good comparison to what you’ll get here. Except… the box size is different. Again. Collecting the Stones box sets next to each other won’t result in a great aesthetic experience, with sizes, shapes and colours all over the place, but individually they really are lovely works of art.
The Tattoo You box is LP-sized, which makes sense as it contains the LP as a 12” picture disc in addition to 4 CDs and a 124-page hardbound book. The book is a delight, by the way, with over 200 images from the album sessions and following world tour, plus related interviews and essays which tells the story of the album and tour.
The LP and first CD contains a fresh album remaster by Stephen Marcussen. He has done a good job of bringing out the crispness of the original recordings.
The prize jewel of the box set is a CD titled Lost & Found: Rarities. This is a bit of a trojan horse, as it carries gifts inside it beyond the expected. This is the usual disc of outtakes that is customary to expect from a box set like this. Nine tracks of previously unreleased songs from the sessions. Nine. Does not seem like much, does it? It’s almost like they didn’t bother searching deep.
Then there’s the question of authenticity. Instead of using the original demos and outtakes as they were then, the band went into the studio in 2021 to replace and/or add vocals, guitars, etc. to finish these tracks properly. Sacrilege!
Except… these tracks sound really good! They are surprisingly vital and fresh-sounding, easily as good as the main disc of the set, with some tracks even sounding like stone cold Stones classics. I really did not expect that. If the band’s recent work on these tracks took them to this level, it is very hard to hold their efforts against them. The results speak for themselves. There would be room on the disc for the original undoctored versions as well, but still… wow. What a surprise!
Most box sets have a customary disc (sometimes several) with extras, and we listen to them with high interest, but the curiosity often dies down and they go back in the box. Lost & Found: Rarities, however, is very likely to be brought out and enjoyed repeatedly. To be honest, this disc alone is the main reason why the Stones box set scrapes into the top 10. It seriously is a must-have disc for any Stones fan. Maybe they should go back and take another look at the extras discs we already got from Some Girls and Goat’s Head Soup.
The final two CDs contain the full live performances from the Wembley Stadium show in June 1982, which along with the wide coverage of the tour in the accompanying book also makes this box set a great memento from one of the Stones’ first stadium tours.
The presentation of the box is incredible, featuring a special integrated lenticular artwork. It may not delve as deeply into the archives as other box sets, and it has less of the merchandise/”stash” than most others, but the music is well preserved/presented and the book is killer. It is not exactly inexpensive at full price, so consider how much of a Stones fan you are before purchasing.
Which are your favourite box sets of 2020? Leave a comment below!
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